"The generic college dorm chairs, gathered around a large wooden study table near a pillar taped with notices for things like the ‘Spring Career Fair’, all evoke the insular world of college life. But the open feel of the Johnson Ballroom, with its panoramic windows, suggests everything that lies beyond, in the adult world."– Maya Phillips, New York Times
"The cavernous floor-to-ceiling glass-walled common room serves as a catch-all, high-pressure container for conflicts and confrontations. Wilson Chin’s scenic design brilliantly captures this enclosed yet exposed environment; with Ben Stanton’s lighting design, the ballroom transforms into a hall of mirrors in the moonlight, a clever visual metaphor for the characters’ increasing self-reflection and secrets revealed as the night wears on."– Kimberly Ramírez, Talkin’ Broadway
"I also want to recognize the design team’s contribution, especially Wilson Chin’s set, which captures the timeless drabness of utilitarian college communal spaces."– Lorin Wertheimer, Exeunt Magazine
"They’re set up camp in a glass-walled study center (designed with a kind of collegiate-brutalist realism by Wilson Chin)."– Thom Geier, Culture Sauce
